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Visualizzazione post con etichetta urban. Mostra tutti i post
Visualizzazione post con etichetta urban. Mostra tutti i post

giovedì 28 maggio 2015

Memorie Urbane, Gaeta.
two walls painted: the Contemporary art museum (Pinacoteca di Gaeta) and the external wall of the Cemetery. Pics by The Blind Eye Factory
Memorie Urbane: www.memorieurbane.it


venerdì 12 luglio 2013

108: "Manipulating the form" Book.

108: "Manipulating the form" 1999 - 2012.
Book: 64 pages + cover.
Format A5 (horizontal: 21 x 15 cm)
Full color pages.










giovedì 11 luglio 2013

108 update: Last exhibitions and works report.

Here is a list of the last exhibitions and works around the world:


> Monte Brè, Lugano (Switzerland). Wallpainting LINK
> Lugano (Switzerland). Workshop/Wallpainting LINK
> Lugano (Switzerland). Live performance LINK
> Roma (Italy). Collective exhibition LINK
> Bari (Italy). Collective exhibition LINK
> Poznan (Poland). Wallpainting LINK
> Modena (Italy). Collective exhibitions LINK
> Cape Town (South Africa). Collective exhibition LINK
> Torino (Italy). Collective exhibition LINK
> Milano (Italy). Installation and painting LINK
> Katowice (Poland). Collective exhibition LINK
> Busca CN (Italy). Collective exhibition LINK
> Bari (Italy). Wallpainting LINK
> Paris (France). Installation LINK
> Bari (Italy). Solo exhibition LINK
> Lugano (Switzerland). Solo exhibition LINK
> Wellington (New Zealand). Collective exhibition LINK

Older selected exhibitions and works here:
http://108works.blogspot.com/2011/06/chosen-works-and-exhibitions.html


giovedì 28 febbraio 2013

Next (double) solo show: 108 + Elzo Durt: Crossroad #1

108 & Elzo Durt: Crossroad #1 
Doppelgaenger – Palazzo Verrone – Via Verrone 8 – 70122 Bari 
www.doppelgaenger.it 
Vernissage: 5 marzo 2013 – ore 18:30

Doppelgaenger is delighted to announce Crossroad #1, a double exhibition by artists 108 (Italy, 1978) and Elzo Durt ( Belgium, 1980). The title refers to a possible crossing of two different artistic trails, risen from the street but, however, separated. The panorama of urban art, prominently evolved during the last ten years, from media, academic and institutional point of view. Usually attributable to graffiti and street art, develops sequences of application and phenomenon, different from its original, pure and well-know characteristics. But, at the same time, it reveals stylistic performances from ‘900, or earlier, avant-garde.